"The Indian elite has seceded into outer space. It seems to have lost the ability to understand those who have been left behind on earth..."
"It would be immoral of me to preach violence unless I’m prepared to pick up arms myself. It is equally immoral for me to preach nonviolence when I’m not bearing the brunt of the attack..."
Whatever the mainstream thinks of Arundhati Roy, I must admit I've always liked her and what she's had to say.
Read this interview of her in Guernica - http://www.guernicamag.com/interviews/2356/roy_2_15_11/
Guernica: As far as writing is concerned, do you have models, especially those that have remained so for a long time?
Arundhati Roy: Do I have models? Maybe I wouldn’t use that word because it sounds like there are people who I admire so much that I would like to become them, or to be like them… I don’t feel that about anybody. But if you mean are there writers I love and admire—yes of course there are. So many. But that would be a whole new interview wouldn’t it? Apart from Shakespeare, James Joyce, and Nabokov, Neruda, Eduardo Galeano, John Berger, right now I’m becoming fascinated by Urdu poets who I am ashamed to say I know so little about… But I’m learning. I’m reading Hafiz. There are so many wonderful writers, my ancestors that have lived in the world. I cannot begin to list them. However, it isn’t only writers who inspire my idea of storytelling. Look at the Kathakali dancer, the ease with which he can shift gears within a story—from humor to epiphany, from bestiality to tenderness, from the epic to the intimate—that ability, that range, is what I really admire. To me it’s that ease—it’s a kind of athleticism—like watching a beautiful, easy runner—a cheetah on the move—that is proof of the fitness of the storyteller.
Guernica: How old were you when you first became aware of the power of words?
Arundhati Roy: Pretty old I think. Maybe two. I heard about it from my disappeared father whom I met for the first time when I was about twenty-four or twenty-five years old. He turned out to be an absolutely charming, unemployed, broke, irreverent alcoholic. (After being unnerved initially, I grew very fond of him and gave thanks that he wasn’t some senior bureaucrat or golf-playing CEO.) Anyway, the first thing he asked me was, “Do you still use bad language?” I had no idea what he meant, given that the last time he saw me I was about two years old. Then he told me that on the tea estates in Assam where he worked, one day he accidentally burned me with his cigarette and that I glared at him and said “chootiya” (cunt, or imbecile)—language I’d obviously picked up in the tea-pickers’ labor quarters where I must have been shunted off to while my parents fought. My first piece of writing was when I was five… I still have those notebooks. Miss Mitten, a terrifying Australian missionary, was my teacher. She would tell me on a daily basis that she could see Satan in my eyes. In my two-sentence essay (which made it into The God of Small Things) I said, “I hate Miss Mitten, whenever I see her I see rags. I think her knickers are torn.” She’s dead now, God rest her soul. I don’t know whether these stories I’m telling you are about becoming aware of the power of words, or about developing an affection for words… the awareness of a child’s pleasure which extended beyond food and drink.
Guernica: Your critics say that you often see the world only in black and white.
Arundhati Roy: The thing is you have to understand, Amitava, that the people who say such things are a certain section of society who think they are the universe. It is the jitterbugging elite which considers itself the whole country. Just go outside and nobody will say that to you. Go to Orissa, go to the people who are under attack, and nobody will think that there is anything remotely controversial about what I write. You know, I keep saying this, the most successful secession movement in India is the secession of the middle and upper classes to outer space. They have their own universe, their ownandolan, their own Jessica Lal, their own media, their own controversies, and they’re disconnected from everything else. For them, what I write comes like an outrage. Ki yaar yeh kyaa bol rahi hai? [What the hell is she saying?] They don’t realize that they are the ones who have painted themselves into a corner.
Why is it so important to have men around? After all, plenty of species breed asexually or without sex distinctions. There are even species of lizard which are entirely female. Instead of mating with men and exchanging genetic material, they hump each other and simply clone themselves. The process of reproducing without fertilization in vertebrates is called parthenogenesis. It has been documented in some species of shark, too. But never, not once, has it been found in humans. Other than a rumor of some woman named Mary about 2,000 years ago, no one has ever had a virgin birth.
Most scientists believe that a true loss of the Y, and thus men, would spell the end of our species





